"I wanted to create someone who felt his environment instead of saw it, which is why I kept his chin lower because he was just trying to listen and counting on his peripheral vision and just kind of not really focusing on anything."
Lally's scenes were recorded in a greenscreened set in Los Angeles. In cutscenes where Wesker was to be featured with a character, Lally performed the scene with their actor to make the acting more realistic.
- Davis, H. Leigh, ed (2011). Resident Evil Archives II. Translated by Elizabeth Ellis. Indianapolis: BradyGames. ISBN 0744013216.