"I wanted to create someone who felt his environment instead of saw it, which is why I kept his chin lower because he was just trying to listen and counting on his peripheral vision and just kind of not really focusing on anything." — Ken Lally on his characterisation of Wesker
Lally's scenes were recorded in a greenscreened set in Los Angeles. In cutscenes where Wesker was to be featured with a character, Lally performed the scene with their actor to make the acting more realistic.